I haven’t planned this post. My original intention had been to write a review about the Steamboy anime, but watching it didn’t provoke enough thought. Then it struck me that I’m fond of prehistoric beasts, cryptids, mythical creatures and the fictional toying with them in a modern environment. Steve Alten’s Meg-series do exactly this, and place a long extinct marine predator; the giant shark Megalodon in the recent times. The Meg: A Novel of Deep Terror is the first novel of this „shark-guy”. This book pretty much redefines our fear from the long left natural element; the saltwater.
A Lost World in the deep sea
Steve Alten’s Meg-books are not new. The first novel; Meg: A Novel of Deep Terror had appeared in 1997, and it spawned four published and one planned sequels (one is actually a prequel), so the show keeps going. It doesn’t belong exactly to the historical fiction or alternate history category. We have to overlook that the pseudo-scientific approach to explain the return of the supershark stands on marble feet. By this book, a relic population of Megalodon sharks survived in the depth and under the enormous pressure of the Mariana Trench.
|I would like to know his dentist|
Now (SPOILER), it’s known from the sequels that the still existence of the Megalodon is just the start. A whole primeval ecosystem; a sort of ancient refuge for the biggest and baddest exists in the deep water sea. Whereas there is no scientific proof that such depth, complete darkness and pressure can support more life than palm-sized amoebas, sea cucumbers and some shrimps. No vertebrates this far, let alone energy-guzzling super predators. They haven’t got more merit than let’s say Nazis on the dark side of the Moon.
We are gonna need a gunboat
But the heck with it, even if the Meg doesn’t feel real it’s very entertaining. The reappearance of something that doesn’t belong makes our underused natural survival senses tingling. We can feel the excitement, the challenge, the gut-gripping fear even in the armchair in a heated room. The enormous, hyper-competitive shark that hunted whales – thanks to a human deep sea research project – cuts loose in the shallower, oxygen- and nutrient-richer waters. The trench-diet in the dark is over, now it’s feeding-frenzy time for the surviving Megalodon and a whole nautical empire to regain.
Jaws! Now with even more revenge!
Before somebody expects a Jaws-like storyline with Chief Brody-like character trying to protect a global Amity from the monster, I have to tell it borrows from Moby Dick as well, a classic and respectable origin. We have a wounded human protagonist – a widely known crackpot for giant deep-sea sharks -, who returns to face and overcome his personal Leviathan and life-ruiner with shaking knees, a bunch of lovable and hateable supporting characters, a body count of a good slasher movie, a self-reflecting sense of humour, a badass endgame. What do we need more?
This time, the fish is not out of the water. It’s in it, and we are out!
No kidding, read Meg: A Novel of Deep Terror, and you will never look at the sea the same way again. It won’t be the ever calling back birthplace of life anymore but a depth of mind burning horrors, where our inland evolutionary triumph, our proud consciousness matters little in the face of gigantic jaws. And us, the lumbering tourists in the reign of Megalodon are nothing more than low fat-ratio delicacies for the most effective killing machine mother nature ever created. It’s a nasty end, I don’t wish to anyone. You don’t see it coming, you don’t have a sporting chance to fight it, and it scares you shitless in the last frozen seconds. You cannot even look into to eye of fit before it grinds you into minced meat.
Frankly, I would see rather Steve Alten’s story in a well-made movie than Asylum’s mass-produced junk. You don’t need battleship-sized and stratosphere-jumping megasharks to make a badass monster, the past is scary enough. Meg: A Novel of Deep Terror is a natural horror-story, and it delivers the thrill pretty well. The only thing bothers me that why do such large predators keep going after the skinny humans, when there isn’t really much fat and meat on our skeletons to much on. The plot requires it, of course. Any road, if you liked the first go for the rest. Many other creepy monsters are lurking in the darkness.